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  <id>tag:dreamwidth.org,2010-12-31:683541</id>
  <title>Still not Sophie.</title>
  <subtitle>NOT SOPHIE</subtitle>
  <author>
    <name>NOT SOPHIE</name>
  </author>
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  <updated>2026-04-19T05:25:16Z</updated>
  <dw:journal username="not_sophie" type="personal"/>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:14763</id>
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    <title>Tales of Berseria Illustrations: Special Interview with Minoru Iwamoto</title>
    <published>2026-04-12T08:58:33Z</published>
    <updated>2026-04-12T09:16:27Z</updated>
    <category term="tales of zestiria"/>
    <category term="guilty gear"/>
    <category term="interviews"/>
    <category term="kousuke fujishima"/>
    <category term="the king of fighters"/>
    <category term="tales of legendia"/>
    <category term="dr slump"/>
    <category term="tales of berseria"/>
    <category term="daigo okumura"/>
    <category term="minoru iwamoto"/>
    <category term="mappy"/>
    <category term="honoo no toukyuuji dodge tanhei"/>
    <category term="tales of the world radiant mythology"/>
    <category term="dragon quest"/>
    <category term="tales of vesperia"/>
    <category term="mutsumi inomata"/>
    <category term="tales of"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Alright, it's FINALLY time for the fourth (and final) character designer interview from the Tales of Berseria Illustrations book. This time it's Minoru Iwamoto, who designed Eizen (hot, we stan) and Laphicet (cute, we stan). He was also the art director of the game itself, so he was very important to how Berseria's art turned out generally. He's the one who insisted to Inomata that it was fine for Velvet to have underboob. Maybe she would have gotten scared and not done it if it weren't for him, just kidding knowing her she'd probably have tried it anyway.&lt;br /&gt;&lt;br /&gt;Also this is certainly not the last thing I'll be translating from this book, it's just the last of the interviews. There's still one last section that actually is pretty long that goes more in-depth into the details of each character's design, so that'll be fun whenever I get to it. I'll have to apologize so profusely for my likely-incorrect terminology because I never actually played Berseria or Zestiria in English. Anyway, back to Iwamoto. This guy talks about character design a lot in terms of childbirth so forgive me for any phrasing that seems odd in that respect. As far as I'm concerned it was a little odd in Japanese (though I get the logic of using those words) so it should be a little odd in English. Anyway LET'S GOOOO. &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/14763.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=14763" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:14461</id>
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    <title>Magical Catchphrases That Inspire/元気がでる魔法の口ぐせ (by Toshimi Nakai)</title>
    <published>2026-03-10T08:12:48Z</published>
    <updated>2026-04-10T10:21:30Z</updated>
    <category term="incomplete"/>
    <category term="toshimi nakai"/>
    <category term="books"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;Last update:&lt;/strong&gt; 3/30/2026 (Added the next little phrase, "do it today, right now!")&lt;br /&gt;&lt;br /&gt;Nobody will care about this but whatever, it's getting posted. I believe I specifically ordered this book instead of stumbling on it, unlike the other Japanese books nobody cares about. Someone who'd lived in Japan recommended it to me because I'm a depressed/anxious type of person with a whole lot of issues and so were they, and they thought it was helpful. But I really wasn't close with the three people I knew who'd been to Japan in college, but I also definitely bought it during my college years, so I don't remember who recommended it to me at all. Oh well. It's a book I have that has a pretty low reading level, so Imma read it and post it. It's basically a bunch of affirmations, cognitive behavioral therapy style. You're missing a lot without the cute illustrations though, seriously.&lt;br /&gt;&lt;br /&gt;The book is technically three parts. The brief introduction, and then two sections of different sorts of affirming phrases. So I'm just gonna have three cuts here (well, two, until I get to the second part). It'll be weird that the introduction is all alone like that but whatever. Each phrase is also short so this should feed my desire for feelings of accomplishment pretty well. Let's goo!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;u&gt;Introduction&lt;/u&gt;&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/14461.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;&lt;u&gt;Magical Catchphrases That Inspire&lt;/u&gt;&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/14461.html#cutid2"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=14461" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:14229</id>
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    <title>Superhuman Phantasmagoria: Shinka 36 (ConRevo novel by Sho Aikawa) part 2</title>
    <published>2026-03-06T03:35:54Z</published>
    <updated>2026-04-10T10:39:41Z</updated>
    <category term="incomplete"/>
    <category term="sho aikawa"/>
    <category term="books"/>
    <category term="superhuman phantasmagoria shinka 36"/>
    <category term="concrete revolutio"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;Last Update:&lt;/strong&gt; 4/10/2026 &lt;em&gt;(Added Chapter 15. DAD KNOWS, GUYS. HE KNOWS.)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Chapter 12 and on of the Concrete Revolutio novel. The first 11 chapters can be found &lt;strong&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html"&gt;here.&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;I decided to split my translation of the novel here, not because I was running into any character limits, but because it was getting seriously annoying to navigate it unless you were viewing it on the journal itself with all cuts intact, rather than the actual post that people can link to where all the cuts are automatically expanded. If you don't know what I'm talking about, don't worry about it. And as for the usual disclaimers I mentioned in the previous post, that had the first 11 chapters of the novel, there's no way there aren't mistakes in my translation. Hopefully any errors that are actually important will become clear to me before I'm done, but hoping for a thing doesn't magically make it reality. I'm just doing my best in the moment while still ultimately focusing on getting it out there. I can and will edit it later anyway. Anyway, time for the second third of Superhuman Phantasmagoria: Shinka 36!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Chapter 12&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/14229.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 13&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/14229.html#cutid2"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 14&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/14229.html#cutid3"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 15&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/14229.html#cutid4"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=14229" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:13827</id>
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    <title>Concrete Revolutio Official Site: Artist Comments from THE LAST SONG</title>
    <published>2026-02-28T06:35:45Z</published>
    <updated>2026-04-19T05:25:16Z</updated>
    <category term="promotional material"/>
    <category term="picorin"/>
    <category term="interviews"/>
    <category term="shiritsu ebisu chuugaku"/>
    <category term="candysun"/>
    <category term="demon kakka"/>
    <category term="cmjk"/>
    <category term="concrete revolutio"/>
    <category term="yousui inoue"/>
    <category term="angel stars"/>
    <category term="yohito teraoka"/>
    <category term="hiroshi takano"/>
    <category term="cutemen"/>
    <category term="technoboys pulcraft green-fund"/>
    <category term="rika mayama"/>
    <category term="nanase aikawa"/>
    <category term="u-ya asaoka"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;Last Update:&lt;/strong&gt; (4/19/2026. Added the last two artist comments, which were the comments from Nanase Aikawa and Hiroshi Takano. For whatever reason, Takano was posted last on the site (not even the same day as Aikawa) despite his song being played in episode 23 and hers being from the final episode. Maybe they liked his comments more. I sure do because what the fuck was this world's 2016 and where the fuck did we go ten years after? WHAT IS THIS DIMENSION'S 2026 WTF. Anyway take care of yourselves, because we're not in ConRevo's 2026, unfortunately.)&lt;br /&gt;&lt;br /&gt;Time for the second set of the guest music artist comments. There are less of these ones compared to season 1, namely because The Last Song is itself shorter than season 1. If you meant to read the guest musicians' comments from the first season (and notably, performers like ZAQ and Yohske Yamamoto who continued to be involved in the second season) you can read those &lt;a href="https://not-sophie.dreamwidth.org/13404.html"&gt;here.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;But anyway. Time for the actual really real last section I've been looking to translate from the official site. I wonder what I'll learn this time!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Comments from Cutemen (cover artist of Episode 14 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20160411_1"&gt;April 11th, 2016&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13827.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Candysun (singer of Episode 15 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="hhttps://concreterevolutio.com/special/?page=20160418_1"&gt;April 18th, 2016&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13827.html#cutid2"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Rika Mayama (Shiritsu Ebisu Chuugaku member &amp; singer of Ep18 song) arrived!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20160509_1"&gt;May 9, 2016&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13827.html#cutid3"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from U-ya Asaoka (singer of Episode 19 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20160516_1"&gt;May 16, 2016&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13827.html#cutid4"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Demon Kakka (singer of Episode 21 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20160531_1"&gt;May 31st, 2016&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13827.html#cutid5"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Yohito Teraoka (singer of an Episode 23 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20160615_1"&gt;June 15th, 2016&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13827.html#cutid6"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Nanase Aikawa (singer of Episode 24 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20160620_1"&gt;June 20th, 2016&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13827.html#cutid7"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Hiroshi Takano (singer of an Episode 23 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20160624_2"&gt;June 24th, 2016&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13827.html#cutid8"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=13827" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:13776</id>
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    <title>Tales of Berseria Illustrations: Special Interview with Daigo Okumura</title>
    <published>2026-02-16T02:07:53Z</published>
    <updated>2026-04-12T07:43:36Z</updated>
    <category term="shinichirou okamoto"/>
    <category term="mutsumi inomata"/>
    <category term="tales of destiny"/>
    <category term="tales of xillia 2"/>
    <category term="tales of"/>
    <category term="tales of vesperia"/>
    <category term="tales of xillia"/>
    <category term="element hunters"/>
    <category term="tales of symphonia: dawn of the new worl"/>
    <category term="yumeria"/>
    <category term="minoru iwamoto"/>
    <category term="tales of berseria"/>
    <category term="tales of eternia online"/>
    <category term="tales of eternia"/>
    <category term="daigo okumura"/>
    <category term="kousuke fujishima"/>
    <category term="tales of symphonia"/>
    <category term="tales of the abyss"/>
    <category term="hideo baba"/>
    <category term="tales of zestiria"/>
    <category term="tales of phantasia"/>
    <category term="interviews"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Just the third of the four interviews with Berseria's main character designers here. Nothing to see. Except wait, this guy's been working on Tales games for... way longer than I expected, actually. Him describing the type of work he did gives a bit of a better idea of the inner workings of what goes into final character designs other than the overly-simplified idea of like, "we hire inomata and she make a pwetty thing :)" He's also someone who had to guts to criticize the series and insist in an interview that the Tales series needs to step out of its comfort zone a little and try to do more different things. And I mean, he really DID insist even after the interviewer was like "yeah but the fans want the comfy usual Tales experience." I love and fully agree with his reasoning, too. It's been a long time since I've felt what he's talking about feeling with being super excited at some awesome surprise a game had to offer, but I still have unforgettable memories of times when games have made me feel that way. It's an unexpected interview and I'm more interested in what he has to say about other things after translating it. Enjoy!&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13776.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=13776" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:13404</id>
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    <title>Concrete Revolutio Official Site: Artist Comments</title>
    <published>2026-02-07T05:22:12Z</published>
    <updated>2026-02-28T06:39:37Z</updated>
    <category term="angel stars"/>
    <category term="hideaki matsuoka"/>
    <category term="the starbems"/>
    <category term="toru hidaka"/>
    <category term="takashi utsunomiya"/>
    <category term="kyouko"/>
    <category term="technoboys pulcraft green-fund"/>
    <category term="yohske yamamoto"/>
    <category term="interviews"/>
    <category term="shokichi ishida"/>
    <category term="gouta nishidera"/>
    <category term="promotional material"/>
    <category term="keiichi sokabe"/>
    <category term="zaq"/>
    <category term="makoto kawamoto"/>
    <category term="concrete revolutio"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;This post only covers the musical artist comments from the first 13 episodes. For everything from The Last Song, that will &lt;a href="https://not-sophie.dreamwidth.org/13827.html"&gt;go here.&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Last Update:&lt;/strong&gt; 2/20/2026. &lt;em&gt;(Added the last two comment sections for the first cours. The Last Song stuff will be in a separate post, when I feel like going back it. And when I feel not sick, why can't the middle schoolers go easy on me with their constant contagions.)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Had to get to these eventually too. These are the last things on the official site's Special section left for me to translate (other than the event reviews, but those don't seem to have anything of any interest since they're basically just descriptions of what happened at the event in question). So here we are, a few words from the various music artists who were involved in the vocal songs used in the show, including the OP/ED theme creators as well as the guest artists who provided insert songs. I'll be splitting the post between the first cours of the show and The Lost Song, since there's, um, actually quite a lot of insert song artists who have comments, and I don't want any of my posts to be outrageously long! I'm adding a note in parentheses to each of these titles too, that says what the artist's song is for, since it's not necessarily clear from their comments where their song was used either.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Comments from ZAQ (creator of the opening theme) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150918_3"&gt;September 18, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13404.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Makoto Kawamoto (singer of Episode 1's insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150918_4"&gt;September 18, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13404.html#cutid2"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Yohske Yamamoto (creator of ED theme) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151005_1"&gt;October 5th, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13404.html#cutid3"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Takashi Utsunomiya (singer of Episode 2 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151009_2"&gt;October 9th, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13404.html#cutid4"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Gouta Nishidera (singer of Episode 3 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151016_3"&gt;October 16th, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13404.html#cutid5"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Toru Hidaka (singer of Episode 5 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151101_1"&gt;November 1st, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13404.html#cutid6"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Shokichi Ishida (creator of an Episode 6 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151109_1"&gt;November 9th, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13404.html#cutid7"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from TECHNOBOYS PULCRAFT GREEN-FUND &amp; Hideaki Matsuoka arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151109_2"&gt;November 9th, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13404.html#cutid8"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Angel Stars (singers of an Episode 6 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151109_3"&gt;November 9th, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___9" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13404.html#cutid9"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___9" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Keiichi Sokabe (singer of Episode 7 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151113_1"&gt;November 13th, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___10" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13404.html#cutid10"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___10" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Comments from Kyouko (singer of Episode 13 insert song) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151221_2"&gt;December 21st, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___11" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13404.html#cutid11"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___11" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=13404" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:13230</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/13230.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=13230"/>
    <title>Tales of Berseria Illustrations: Special Interview with Kousuke Fujishima</title>
    <published>2026-01-12T06:26:50Z</published>
    <updated>2026-04-12T07:30:51Z</updated>
    <category term="daigo okumura"/>
    <category term="tales of berseria"/>
    <category term="tales of"/>
    <category term="mutsumi inomata"/>
    <category term="minoru iwamoto"/>
    <category term="tales of phantasia"/>
    <category term="interviews"/>
    <category term="hideo baba"/>
    <category term="tales of zestiria"/>
    <category term="tales of xillia"/>
    <category term="kousuke fujishima"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">I know, I know, this isn't ConRevo OR Inomata. But alas, it must be done, because I see no reason why everything in this book shouldn't be translated. By me, since I really have no clue whether anyone else has translated any particular thing from the Tales franchise at this point. Boy was everything so much easier to find in the internet of forums and fansites compared to the internet of Reddits and Discords.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13230.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=13230" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:13033</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/13033.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=13033"/>
    <title>Tales of Berseria Illustrations: Special Interview With Mutsumi Inomata</title>
    <published>2026-01-01T02:13:33Z</published>
    <updated>2026-04-12T07:19:51Z</updated>
    <category term="minoru iwamoto"/>
    <category term="tales of xillia 2"/>
    <category term="tales of destiny"/>
    <category term="mutsumi inomata"/>
    <category term="tales of"/>
    <category term="daigo okumura"/>
    <category term="tales of berseria"/>
    <category term="rina satou"/>
    <category term="kousuke fujishima"/>
    <category term="tales of zestiria"/>
    <category term="interviews"/>
    <category term="tales of xillia"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Gotta take a break to get back to my original genre of Inomata. Since the world has taken her from us, though, there is only so much of her left in the world beyond our memories. Makes me a little sad, since I was always inspired by her art and designs. Oh well, this one is from the Tales of Berseria Illustrations Book, and interview in question took place on August 26, 2016. There are more interviews in this book than just Mutsumi Inomata's, but I'll get to them later, let's stick with our first love, shall we?&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/13033.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=13033" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:12721</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/12721.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=12721"/>
    <title>Ten Minute Masterpieces (Fifth grade)</title>
    <published>2025-11-02T07:43:47Z</published>
    <updated>2026-04-10T10:22:30Z</updated>
    <category term="ten minute masterpieces fifth grade"/>
    <category term="incomplete"/>
    <category term="ryuunosuke akutagawa"/>
    <category term="books"/>
    <category term="anton chekhov"/>
    <category term="shinichi hoshi"/>
    <category term="takeo arishima"/>
    <category term="noriko takazaki"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;Last update:&lt;/strong&gt; 3/29/2026. (Added the sixth story, If Winter Comes. I actually liked this one a lot and it didn't make me uncomfortable like Oysters did. It's a nice little goofy sci-fi story.)&lt;br /&gt;&lt;br /&gt;Another collection of stories I got from, if I remember correctly, Midway Bookstore. It has a Kinokuniya sticker on it though so I'm just going to keep being jealous that I've been to Seattle's Kinokuniya once and Chicago's Kinokuniya once. And don't live in a city that has a Kinokuniya. Ugh. Then again, I spend my entire paycheck from working at Daiso AT Daiso, so maybe it's for the best that Kinokuniya does not exist in my state.&lt;br /&gt;&lt;br /&gt;Also, the first story absolutely did not take me just 10 minutes to read. Actually it took me way more than that. Darn! I can't imagine the others are going to either. What a sad life. Also, I'm not going to say who did the illustrations anymore, from here on out. There's just no point. It has nothing to do with what I'm doing, which is translating the written word as best as I can.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;A Single Bunch of Grapes (by Takeo Arishima)&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12721.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Rail Cart (by Ryuunosuke Akutagawa)&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12721.html#cutid2"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Mother's Garden (by Noriko Takazaki)&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12721.html#cutid3"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Oysters (by Anton Chekhov)&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12721.html#cutid4"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;If Winter Comes (by Shinichi Hoshi)&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12721.html#cutid5"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=12721" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:12405</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/12405.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=12405"/>
    <title>Superhuman Phantasmagoria: Shinka 36 (ConRevo novel by Sho Aikawa) part 1</title>
    <published>2025-10-04T01:40:20Z</published>
    <updated>2026-03-23T03:30:47Z</updated>
    <category term="books"/>
    <category term="concrete revolutio"/>
    <category term="superhuman phantasmagoria shinka 36"/>
    <category term="sho aikawa"/>
    <dw:security>public</dw:security>
    <dw:reply-count>1</dw:reply-count>
    <content type="html">&lt;strong&gt;Last Update:&lt;/strong&gt; March 5, 2026. (Feb 1st was when I added Chapter 11 here, but today I changed a single line in Chapter 2 because I finally realized what Kisara was actually supposed to be mumbling, something I read reminded me that I'd translated "sensei" as if Kisara were a teacher because I didn't know crap about him (shoulda guessed they meant it in more of a "this is a master at an art" kinda way from the setting of a publishing house New Years party though) and also as of today I'm finally splitting the novel translation off into a second post that's got two chapters ready for you. &lt;a href="https://not-sophie.dreamwidth.org/14229.html"&gt;You can read more starting with Chapter 12 here.&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;It's time! October 4th (which is already now in Japan) is the tenth anniversary of Concrete Revolutio's first episode premiere. Now it's not just old in spirit, it is old in existence itself! There's a prequel novel called Superhuman Phantasmagoria Shinka 36, written by Sho Aikawa (who wrote the anime's story in the first place). I've had it for a bit. I was hoping to get more translated before posting anything, but when I realized the tenth anniversary was coming up, I figured I'd better just get as far as I can and post what's ready and leave it at that. You shouldn't expect updates to come fast, since this is certainly above my reading level and longer than anything else I've done.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Prologue&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 1&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid2"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 2&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid3"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 3&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid4"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 4&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid5"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 5&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid6"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 6&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid7"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 7&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid8"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 8&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___9" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid9"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___9" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 9&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___10" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid10"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___10" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 10&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___11" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid11"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___11" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Chapter 11&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___12" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12405.html#cutid12"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___12" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=12405" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:12133</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/12133.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=12133"/>
    <title>Concrete Revolutio Official Site: Cast Comments</title>
    <published>2025-07-23T08:06:05Z</published>
    <updated>2025-10-03T02:09:26Z</updated>
    <category term="promotional material"/>
    <category term="kaito ishikawa"/>
    <category term="interviews"/>
    <category term="sumire uesake"/>
    <category term="seiji mizushima"/>
    <category term="aki toyosaki"/>
    <category term="tokuyoshi kawashima"/>
    <category term="concrete revolutio"/>
    <category term="masafumi mima"/>
    <category term="eriko nakamura"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;Last update&lt;/strong&gt; 10/2/2025 (Added Aki Toyosaki's comments. And would you look at that, there were only those six anyway, so this is done now unless I come back to edit it.)&lt;br /&gt;&lt;br /&gt;I was always planning to do this anyway, but I thought since it would be less insightful on the creation and inspiration of the story, I'd do it a billion years later and focus on Aikawa's prequel novel instead. But the prequel novel is hard for my unfluent eyes! I don't know these kanji! I am unimpressed with the speed of my progress trying to read it but don't want to become discouraged, so for now I'll just do that tiny bit by tiny bit on my days off from work and do stuff like this and other easier things alongside it and on work days. I like to feel like I'm accomplishing things. I need that dopamine. I'm a druggie, gimme my instant gratification and I'll eventually learn enough kanji and git gud at grammar so the novel will become instant gratification in its own right.&lt;br /&gt;&lt;br /&gt;... Anyway. Today is Cast Comments Day. I added the parenthetical "voice of whoever" to the titles for your convenience. Enjoy!&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Special Interview with Kaito Ishikawa (voice of Jirou Hitoyoshi)&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150703_1"&gt;July 3, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12133.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;New Comments from Sumire Uesaka (voice of Kikko Hoshino) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150918_1"&gt;September 18, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12133.html#cutid2"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;New Comments from Kaito Ishikawa (voice of Jirou Hitoyoshi) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150918_2"&gt;September 18, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12133.html#cutid3"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;New Comments from Eriko Nakamura (voice of Fuurouta) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151016_1"&gt;October 18, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12133.html#cutid4"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;New Comments from Tokuyoshi Kawashima (voice of Hyouma Yoshimura) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151127_2"&gt;November 27, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12133.html#cutid5"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;New Comments from Aki Toyosaki (voice of Emi Kino) have arrived!!&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151211_1"&gt;December 11, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/12133.html#cutid6"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=12133" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:11776</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/11776.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=11776"/>
    <title>Tales of Graces f Official Scenario Book: Creator's Comments</title>
    <published>2025-07-13T06:54:34Z</published>
    <updated>2025-07-13T06:57:22Z</updated>
    <category term="hideo baba"/>
    <category term="go tanaka"/>
    <category term="mutsumi inomata"/>
    <category term="tales of"/>
    <category term="tales of graces"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">In this &lt;em&gt;other&lt;/em&gt; Tales of Graces book I have, there's these nice character profiles, and all of the playable characters as well as a handful of other major characters have comments from creators there. Those creators are Mutsumi Inomata (the character designer), Go Tanaka (the main scenario writer of Graces), and Hideo Baba (the producer of Graces). Since the book was published for Tales of Graces f, rather than the original Wii release, there's discussion of the future arc and commentary on characters from it, too, in case you haven't played that part yet, I guess.&lt;br /&gt;&lt;br /&gt;I don't know why I wasn't posting these as I translated them, but I only just thought about how that's unusual for me with multi-sectioned things like this, like, yesterday. So here's all of those comments, all at once.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/11776.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=11776" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:11563</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/11563.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=11563"/>
    <title>Tales of Graces Official Complete Guide: Let's Ask Inomata!</title>
    <published>2025-06-09T04:53:12Z</published>
    <updated>2025-07-13T06:56:21Z</updated>
    <category term="interviews"/>
    <category term="tales of symphonia"/>
    <category term="tales of vesperia"/>
    <category term="kousuke fujishima"/>
    <category term="tales of graces"/>
    <category term="tokuyuki matsutake"/>
    <category term="michael jackson"/>
    <category term="fumihiko tachiki"/>
    <category term="mutsumi inomata"/>
    <category term="tales of destiny"/>
    <category term="tales of"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">This is... basically an Inomata interview! It's our genre, guys! This particular one is from the Tales of Graces Official Complete Guide (not the Graces f guide, though I'm sure such a thing exists, I do not possess it right now). It includes the story of her meeting Michael Jackson too, which I'm sure even people who didn't know that was a thing have been curious about. That's how time works, right? I'm sure it is.&lt;br /&gt;&lt;br /&gt;And I guess this isn't technically an interview, but it might as well be one. Players submitted questions and some were selected to ask her. That's basically it.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/11563.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=11563" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:11423</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/11423.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=11423"/>
    <title>How? Why? Stories of Science (4th year): About Earth and Space</title>
    <published>2025-04-15T05:59:49Z</published>
    <updated>2025-07-21T18:01:39Z</updated>
    <category term="why? how? stories of science"/>
    <category term="naoki nishiyama"/>
    <category term="takuji tsurukawa"/>
    <category term="harumi uenami"/>
    <category term="yoriko nakamura"/>
    <category term="books"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;Last Update:&lt;/strong&gt; 7/21/2025 (Story about Alexander Graham Bell. I did actually like this one, thank goodness. I hate atmosphere science, it's so boring. But electricity and how one man ruined the entire world with a single invention? I'll take it! Plus it's the last story in the entire book heck yeah I did it guys!)&lt;br /&gt;&lt;br /&gt;Here's the last section of this book before my normie schoolchild book practice moves on to something that's a little harder and hopefully more interesting too. Like, I might have mostly fiction after I finish this up, so that'll be nice.&lt;br /&gt;&lt;br /&gt;Until otherwise mentioned (AKA until the final storie) the author of this section is Harumi Uenami and the artist (that you cannot enjoy without buying the book sry) is Naoki Nishiyama.&lt;br /&gt;&lt;br /&gt;Anyway, on with the blurbs. I hated the first one with all my heart because it was unbelievably boring even though I actually found most of the previous ones mildly interesting when they didn't just reinforce things I already knew. Warmth of air, ugh. Ugh ugh ugh. I want to die. Don't tell me how thunderstorms work if it's going to be this boring OH WAIT IT'S NOT EVEN ABOUT THUNDERSTORMS IT'S LITERALLY JUST WY DUZ WIND BLOW WHO CARES here you go &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/11423.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=11423" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:11173</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/11173.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=11173"/>
    <title>Genmu Senki Leda Story Album: Mutsumi Inomata Interview</title>
    <published>2025-03-10T06:26:59Z</published>
    <updated>2026-02-16T07:08:38Z</updated>
    <category term="hiromi tsuru"/>
    <category term="shuichi ikeda"/>
    <category term="the tigers"/>
    <category term="galaxy express 999"/>
    <category term="junki takegami"/>
    <category term="the spirit of the beehive"/>
    <category term="detective story"/>
    <category term="moto hagio"/>
    <category term="gb bomber"/>
    <category term="dick francis"/>
    <category term="starblazers"/>
    <category term="raymond chandler"/>
    <category term="kenji sawada"/>
    <category term="tooru murakawa"/>
    <category term="ryouko yamagishi"/>
    <category term="makyou densetsu acrobunch"/>
    <category term="raiders of the lost ark"/>
    <category term="asami kobayashi"/>
    <category term="hiizuru tokoro no tenshi"/>
    <category term="shigenori kageyama"/>
    <category term="sf west saga starzinger"/>
    <category term="yoshinori kanada"/>
    <category term="mutsumi inomata"/>
    <category term="zukkoke knight don de la mancha"/>
    <category term="mikio narita"/>
    <category term="hiromi go"/>
    <category term="minoru kamiya"/>
    <category term="hana no ko lunlun"/>
    <category term="cyborg blues"/>
    <category term="keisuke fujikawa"/>
    <category term="glass mask"/>
    <category term="interviews"/>
    <category term="suzue miuchi"/>
    <category term="battles without honor and humanity"/>
    <category term="captain future"/>
    <category term="masao kusakari"/>
    <category term="dashiell hammett"/>
    <category term="wanpaku ouji no orochi taiji"/>
    <category term="mikiya mochizuki"/>
    <category term="rio akimoto"/>
    <category term="kunihiko yuyama"/>
    <category term="asahi kurizuka"/>
    <category term="goshogun"/>
    <category term="yuugi series"/>
    <category term="shiro sagisu"/>
    <category term="kazumasa hirai"/>
    <category term="etsuko shihomi"/>
    <category term="uchuu senshi baldios"/>
    <category term="wild 7"/>
    <category term="magical princess minky momo"/>
    <category term="ryoutarou shiba"/>
    <category term="kou inoue"/>
    <category term="leda"/>
    <category term="gamba no bouken"/>
    <category term="attack no.1"/>
    <category term="kujira no josephina"/>
    <category term="moeyo ken"/>
    <category term="ikki kajiwara"/>
    <category term="star of the giants"/>
    <category term="kei tomiyama"/>
    <category term="the poe clan"/>
    <category term="kathleen turner"/>
    <category term="noriyoshi matsuura"/>
    <category term="space battleship yamato"/>
    <category term="acrobunch"/>
    <category term="spider-man (manga)"/>
    <category term="hanshin half-god"/>
    <category term="james hadley chase"/>
    <category term="sengoku majin goshogun"/>
    <category term="kinji fukasaku"/>
    <category term="arabian nights sinbad's adventure"/>
    <category term="kemonotachi no atsui nemuri"/>
    <category term="samurai giants"/>
    <category term="haruhiko ooyabu"/>
    <category term="otokogumi"/>
    <category term="tomokazu miura"/>
    <category term="utsunomiko"/>
    <category term="genmu senki leda"/>
    <category term="tatsuya fuji"/>
    <category term="seijo densetsu"/>
    <category term="pro hunter"/>
    <category term="plawres sanshiro"/>
    <category term="ryouichi ikegami"/>
    <category term="sister street fighter"/>
    <category term="zombie hunter"/>
    <category term="chika sakamoto"/>
    <category term="yuusaku matsuda"/>
    <category term="future boy conan"/>
    <category term="noriyoshi ourai"/>
    <category term="baldios"/>
    <category term="kareinaru keiji"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Last year today, Mutsumi Inomata passed away at 63. I wished she could have stayed longer. I love her character designs, as a loser who got extremely extremely into Tales games (particularly Destiny remake, Rebirth, Graces, Berseria, and I'll throw Zesty in too for good measure). I was such a fan of her character designs and her watercolor art I watched all kinds of random things like Acrobunch and I even went through the pain of watching Brain Powerd. Truly. I saw that before I got into Gundam, so Toshiyuki Tomino meant little to me. All I cared about was Yoko Kanno and the person I want to celebrate today with this translation: Mutsumi Inomata.&lt;br /&gt;&lt;br /&gt;This interview is centered on Genmu Senki Leda, a nice, contained, memorable movie/OVA that she served as animation director and character designer for. It was 10 pages long in the book (though there were also a lot of her sketches of Leda characters on the pages), and took me some time to translate. I also transcribe books by typing everything up first and search for unknown kanji by radical instead of using automated tools so screw you it took a long time to do all the things. The interview is not ultra in-depth about process type things, but Inomata's personality shows through really clearly in it, and it's actually really entertaining because of that. I also just am so happy to hear about some of her tastes. Like, she watched Gamba no Bouken and she likes hardboiled noir type stories. Anyway, I'm rambling now. Let's do this. Bold is interviewer, the rest is Inomata.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/11173.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=11173" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:10931</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/10931.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=10931"/>
    <title>How? Why? Stories of Science (4th year): About Food and Everyday Objects</title>
    <published>2025-02-26T02:46:49Z</published>
    <updated>2025-07-23T08:03:08Z</updated>
    <category term="yuka tanno"/>
    <category term="kaori kurita"/>
    <category term="kurohamu"/>
    <category term="why? how? stories of science"/>
    <category term="books"/>
    <category term="makoto ikutake"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;Last Update:&lt;/strong&gt; 4/5/2025. (And finally, how to make potato chips in your microwave without oil waht the fuck. Japan truly is advanced. I never thought to do this. &lt;a href="https://not-sophie.dreamwidth.org/11423.html"&gt;CLICK HERE FOR THE NEXT SECTION OF THIS BOOK.&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;Wow here's another section of a book nobody cares about. But this is my practice translation blog so you're just gonna have to deal with it. That's why I've got things tagged religiously, after all, and have that handy dandy alphabetized list of stuff in the very first post that separates out things a reasonable human might care about.&lt;br /&gt;&lt;br /&gt;This section is about food and other facts about everyday items. Unless otherwise noted, they're written by Yuka Tanno and illustrated (NOT THAT YOU CAN SEE HA HA BUY THE BOOK) by Makoto Ikutake.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/10931.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=10931" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:10646</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/10646.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=10646"/>
    <title>Concrete Revolutio Official Site Staff Comments</title>
    <published>2024-12-29T16:15:31Z</published>
    <updated>2026-02-16T05:06:43Z</updated>
    <category term="the league of extraordinary gentlemen"/>
    <category term="interviews"/>
    <category term="un-go"/>
    <category term="promotional material"/>
    <category term="ayakashi ayashi"/>
    <category term="hekiru hikawa"/>
    <category term="hiwou senki"/>
    <category term="masaki tsuji"/>
    <category term="toshiaki ihara"/>
    <category term="kanetake ebikawa"/>
    <category term="the dark knight returns"/>
    <category term="masafumi mima"/>
    <category term="masahiko minami"/>
    <category term="sho aikawa"/>
    <category term="yoshihiro oyabu"/>
    <category term="ryou hirao"/>
    <category term="concrete revolutio"/>
    <category term="noizi ito"/>
    <category term="hiroki matsumoto"/>
    <category term="yoshiyuki itou"/>
    <category term="fullmetal alchemist"/>
    <category term="wild cards"/>
    <category term="marvels"/>
    <category term="kazuki nakashima"/>
    <category term="mystery magazine"/>
    <category term="takayuki nanase"/>
    <category term="hideyuki matsumoto"/>
    <category term="hiroshi osaka"/>
    <category term="seiji mizushima"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;Last Update:&lt;/strong&gt; 5/10/2025 (OH MY GOSH AM I DONE AGAIN?)&lt;br /&gt;&lt;br /&gt;On the official site for, YOU GUESSED IT, CONREVO NEVER ENDS IN MY BRAIN, there's a section where they put a bunch of staff comments and mini interviews as promo mats (oh my god, I love promo mats so much but nobody else ever cares). I bet they're interesting. In fact, the very first one already was, although part of me is shocked that "Wild Cards" was actually what I thought it was when I first read the title, before I'd read anything that was actually said about it. Bet you didn't expect that to be one of Concrete Revolutio's inspirations. I sure didn't, though I understand how. The huge difference between how the director and the writer write is also very funny to me. Director: "So. This thing happened once. And I thought it was interesting. So we made the thing." Writer: "REAL PARAGRAPHS AND MORE PARAGRAPHS AND LIFE STORY AND INTERESTING DEETS"&lt;br /&gt;&lt;br /&gt;It will be interesting to see what else the staff members say. Might take me some time to get to more since I'm working on a bigger project too that I've actually given myself a deadline for, but we'll get there.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Comments From Sho Aikawa (scriptwriter) and director Seiji Mizushima&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150703_2"&gt;July 3, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/10646.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Staff Relay Comment: Noizi Ito, Hekiru Hikawa, &amp; Ryou Hirao (Character Original Design, Concept)&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150724_1"&gt;July 24, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/10646.html#cutid2"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Staff Relay Comment: Seiji Mizushima (Director), Sho Aikawa (Scriptwriter)&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150724_2"&gt;July 24, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/10646.html#cutid3"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Kanetake Ebikawa, Takayuki Nanase, Yoshiaki Ihara, Hideyuki Matsumoto (SF Design Works)&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150807_1"&gt;August 7, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/10646.html#cutid4"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Staff Relay Comment: Yoshiyuki Itou (Character Design, Chief Animation Director)&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150807_2"&gt;August 7, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/10646.html#cutid5"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Staff Interview (BONES): Masahiko Minami (President) &amp; Yoshihiro Oyabu (Producer)&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150929_3"&gt;September 29, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/10646.html#cutid6"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Staff Relay Comment: Kazuki Nakashima (Script)&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150929_2"&gt;September 29, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/10646.html#cutid7"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Staff Relay Comment: Masaki Tsuji (Script)&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20150929_1"&gt;September 29, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/10646.html#cutid8"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Staff Interview: Seiji Mizushima (Director) &amp; Sho Aikawa (Scriptwriter)&lt;/strong&gt; (&lt;a href="https://concreterevolutio.com/special/?page=20151002_1"&gt;October 2nd, 2015&lt;/a&gt;) &lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___9" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/10646.html#cutid9"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___9" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=10646" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:10281</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/10281.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=10281"/>
    <title>Mutsumi Inomata "Sanctuary" message</title>
    <published>2024-12-23T04:39:55Z</published>
    <updated>2024-12-27T15:48:32Z</updated>
    <category term="sanctuary"/>
    <category term="mutsumi inomata"/>
    <category term="books"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Sanctuary was an artbook put together to commemorate Mutsumi Inomata's 40th anniversary in the world of illustration. This is a little hand-written blub she wrote in it (and I am posting it on both my grandpa's birthday and also hers. Odd how that works. Weirder still they died last year in in the same month, only ten days apart, and I'm actually really sad about that tbfh). It's short but sweet. Here's what she said in that hand-written blurb (hand-writing is tough to read and the fact of it being handwriting is the only reason I bothered since I thought it would be good practice):&lt;br /&gt;&lt;br /&gt;&lt;i&gt;I was simply drawing pictures, and then 40 years had passed by. It surprised even me.&lt;br /&gt;To commemorate my 40th anniversary, we've created this wonderful artbook!&lt;br /&gt;&lt;br /&gt;Out of the many artworks, some were chosen that are familiar to you, and some where chosen that haven't been seen that much... Regardless, the selection was mostly centered on my hand-painted works.&lt;br /&gt;&lt;br /&gt;Seeing some of this art for the first time in a while brings back nostalgic memories for me. I will be so happy if you all enjoy it.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=10281" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:10224</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/10224.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=10224"/>
    <title>How? Why? Stories of Science (4th year): About Living Beings 2</title>
    <published>2024-12-20T21:18:02Z</published>
    <updated>2025-02-26T02:57:32Z</updated>
    <category term="books"/>
    <category term="yu ozaki"/>
    <category term="nozomi kai"/>
    <category term="henri fabre"/>
    <category term="why? how? stories of science"/>
    <category term="nobuyuki irisawa"/>
    <category term="junichirou horiguchi"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;Last update:&lt;/strong&gt; 2/22/2025 DONE. At least with that section of the book. Next section is &lt;a href="https://not-sophie.dreamwidth.org/10931.html"&gt;Food and Everyday Objects.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Yay, time for part two. At this point I'm starting to wonder if for the future, I should just put these short, large-print books for kids as one post each even when there really are a lot of pages just full of the text. At least for now, though, I'm going to keep this one going this way.&lt;br /&gt;&lt;br /&gt;I don't remember what section is going to come after this one, but I'm positive there wasn't a part 3 for living beings. So here's your finale of aminals and fwowers.&lt;br /&gt;&lt;br /&gt;Unless otherwise noted, these were written by Yu Ozaki (for plants), or Nobuyuki Irisawa (for bugs), and illustrated by Nobuyuki Irisawa. Not that I'm posting the illustrations, but I can pretend I was able to read that name. I can pretend it's really Irisawa, a name I've never seen before and which feels unusual.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/10224.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=10224" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:9524</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/9524.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=9524"/>
    <title>How? Why? Stories of Science (4th year): About Living Beings 1</title>
    <published>2024-10-12T01:56:42Z</published>
    <updated>2024-12-21T00:26:21Z</updated>
    <category term="why? how? stories of science"/>
    <category term="youko oishi"/>
    <category term="yoshiki ishii"/>
    <category term="books"/>
    <category term="yu ozaki"/>
    <category term="kyouichi tomita"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;Update:&lt;/strong&gt; December 13, 2024. And we end with dinosaurs. I want to be ended. I'm tired of being sick. &lt;a href="https://not-sophie.dreamwidth.org/10224.html"&gt;Here's where I'll be posting the next section's blurbs&lt;/a&gt; (why are you reading any of this, what is wrong with you).&lt;br /&gt;&lt;br /&gt;Since I said I was going to split up this childrens' book translation by section, here's the second section of the goofy thing. This time it's about living things. It also actually has two sections about living creatures, hence the 1. There will one day be a 2 and it's not entirely my fault. Anyway, nobody cares about this so here we go. These ones were, unless I say otherwise, written by Yu Ozaki and illustrated by Youko Oishi.&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9524.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=9524" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:9305</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/9305.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=9305"/>
    <title>Concrete Revolutio The Last Song: Superhuman Investigation Column</title>
    <published>2024-10-08T00:51:34Z</published>
    <updated>2024-11-17T04:01:34Z</updated>
    <category term="jaguar-man"/>
    <category term="the deer hunter"/>
    <category term="gisaburoo sugii"/>
    <category term="inazuman"/>
    <category term="moonlight mask"/>
    <category term="ben gotou"/>
    <category term="hiroshi takeuchi"/>
    <category term="tetsujin tiger seven"/>
    <category term="ike! greenman"/>
    <category term="fight da!! pyuuta"/>
    <category term="gundam"/>
    <category term="star wars"/>
    <category term="obake no q-tarou"/>
    <category term="eiji tsuburaya"/>
    <category term="ultraman"/>
    <category term="robot detective"/>
    <category term="barbie"/>
    <category term="masaru igami"/>
    <category term="ai no senshi rainbowman"/>
    <category term="masaru sasaki"/>
    <category term="tooru narita"/>
    <category term="tsunezou murotani"/>
    <category term="donkikko"/>
    <category term="kure kure takora"/>
    <category term="kikaider 01"/>
    <category term="kouichi oose"/>
    <category term="suki! suki!! majo sensei"/>
    <category term="leopard-man"/>
    <category term="inazuman f"/>
    <category term="ultraman leo"/>
    <category term="jumborg ace"/>
    <category term="sf drama saru no gundan"/>
    <category term="shotaro ishinomori"/>
    <category term="concrete revolutio"/>
    <category term="kamen rider amazon"/>
    <category term="kamen rider v3"/>
    <category term="thunder mask"/>
    <category term="shirojishi kamen"/>
    <category term="ryuusei ningen zone"/>
    <category term="mazinger z"/>
    <category term="ryuusuke hikawa"/>
    <category term="star blazers"/>
    <category term="mirrorman"/>
    <category term="ultraman taro"/>
    <category term="ike! godman"/>
    <category term="the return of ultraman"/>
    <category term="the prophecies of nostradamus"/>
    <category term="lionmaru"/>
    <category term="osomatsu-kun"/>
    <category term="getter robo"/>
    <category term="ganbare!! robocon"/>
    <category term="silver mask"/>
    <category term="star of the giants"/>
    <category term="silver jaguar"/>
    <category term="space battleship yamato"/>
    <category term="totsugeki human!!"/>
    <category term="the samurai"/>
    <category term="spectreman"/>
    <category term="hisashi yasui"/>
    <category term="godzilla"/>
    <category term="chouin barom-1"/>
    <category term="astro boy"/>
    <category term="rambo"/>
    <category term="kinkyuu shirei 10-4 10-10"/>
    <category term="denjin zaborger"/>
    <category term="farewell to space battleship yamato"/>
    <category term="super robot red baron"/>
    <category term="fujio akatsuka"/>
    <category term="triple fighter"/>
    <category term="ultraman ace"/>
    <category term="sakyou komatsu"/>
    <category term="kamen rider"/>
    <category term="terror of mechagodzilla"/>
    <category term="japan sinks"/>
    <category term="super robot mach baron"/>
    <category term="kaiketsu lionmaru"/>
    <category term="hikari no senshi diamond eye"/>
    <category term="kikaider"/>
    <category term="akio jissouji"/>
    <category term="shigeru mizuki"/>
    <category term="apocalypse now"/>
    <category term="oraa guzura dado"/>
    <category term="fireman"/>
    <category term="redman"/>
    <category term="henshin ninja arashi"/>
    <category term="jinzou ningen kikaider"/>
    <category term="promotional material"/>
    <category term="kamen rider x"/>
    <category term="g.i. joe"/>
    <category term="teruyoshi nakano"/>
    <category term="fuuun lionmaru"/>
    <category term="ultra q"/>
    <category term="ultraseven"/>
    <category term="chibikko kaiju yadamon"/>
    <category term="majin hunter mitsurugi"/>
    <category term="gokuu no daibouken"/>
    <category term="tetsuo kinjou"/>
    <category term="gegege no kitarou"/>
    <category term="iron king"/>
    <category term="kaminari bouya pikkari pii"/>
    <category term="perman"/>
    <category term="great mazinger"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">For Episode 1-13 column translations, &lt;a href="https://not-sophie.dreamwidth.org/8811.html"&gt;go here instead.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;strong&gt;Last Update:&lt;/strong&gt; November 14, 2024 (I DUNNO I MADE SOME LIGHT EDITS SO I GUESS IT'S DONE?)&lt;br /&gt;&lt;br /&gt;
It is time! I've started rewatching The Last Song, so I'm gonna translate the last batch of columns from Concrete Revolutio's official site, which were never translated into English. They were written by Ryuusuke Hikawa, who seems to be an anime and tokusatsu historian of sorts. They're very interesting columns that give you a lot of context for ConRevo's inspirations, both fictional, and real-world. Because boy, you might think it's just gonna be "wow ultraman inspired this thing and cyborg 009 inspired that one" but it's actually also "this thing happened in japanese history and boy was it a whole thing that affected entire generations and consequently all media directed at the generation." So I'm telling you. These are interesting. You are missing out. Don't worry though because I'm fixing it.
&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #14: The World Takes a Turn For the Worse and Tokusatsu Makes a Comeback&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9305.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #15: The Focal Point of Superhuman Media in the Late Autumn of 1971&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9305.html#cutid2"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #16: Gag Anime as a Supernatural Existence&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9305.html#cutid3"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #17: Depths of the Earth, Bottom of the Sea, Unexplored Lands, Space&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9305.html#cutid4"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #18: Mass Production of Human-sized Superhumans&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9305.html#cutid5"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt; 
&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #19: Henshin Historical Fiction and Destined Rivals&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9305.html#cutid6"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;
&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #20: The Vietnam War and Military Toys&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9305.html#cutid7"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;
&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #21: The Origin of Giant Superhumans is Godzilla&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9305.html#cutid8"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;
&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #22: The Oil Crisis and the End of the World Trend&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___9" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9305.html#cutid9"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___9" aria-live="assertive"&gt;&lt;/div&gt;
&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #23: Okinawa, Superhumans, and Kaiju Crazes&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___10" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9305.html#cutid10"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___10" aria-live="assertive"&gt;&lt;/div&gt;
&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #24: Superhuman Media Moves From Fantasy Towards Reality&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___11" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/9305.html#cutid11"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___11" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=9305" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:8811</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/8811.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=8811"/>
    <title>Concrete Revolutio Superhuman Phantasmagoria: Superhuman Investigation Column</title>
    <published>2024-08-04T07:31:33Z</published>
    <updated>2026-02-16T05:06:50Z</updated>
    <category term="cyborg 009"/>
    <category term="james bond"/>
    <category term="ultraman"/>
    <category term="eiji tsuburaya"/>
    <category term="go nagai"/>
    <category term="pacific rim"/>
    <category term="superman"/>
    <category term="seiichi morimura"/>
    <category term="osamu dezaki"/>
    <category term="the h-man"/>
    <category term="otoko oidon"/>
    <category term="the devil's gluttony"/>
    <category term="eightman"/>
    <category term="the human vapor"/>
    <category term="captain ultra"/>
    <category term="moonlight mask"/>
    <category term="karel čapek"/>
    <category term="kamen rider"/>
    <category term="h.g. wells"/>
    <category term="osamu tezuka"/>
    <category term="kazumasa hirai"/>
    <category term="space ace"/>
    <category term="the secret of the telegian"/>
    <category term="ambassador magma"/>
    <category term="the invisible man"/>
    <category term="bewitched"/>
    <category term="space alien pipi"/>
    <category term="umi no triton"/>
    <category term="godzilla"/>
    <category term="tetsujin 28-go"/>
    <category term="astro boy"/>
    <category term="r.u.r."/>
    <category term="rintarou"/>
    <category term="mazinger z"/>
    <category term="space patrol hopper"/>
    <category term="promotional material"/>
    <category term="ryuusuke hikawa"/>
    <category term="hajime hana and the crazy cats"/>
    <category term="jinzou ningen kikaider"/>
    <category term="planet boy papi"/>
    <category term="space boy soran"/>
    <category term="thunderbirds"/>
    <category term="mighty jack"/>
    <category term="concrete revolutio"/>
    <category term="w3"/>
    <category term="shotaro ishinomori"/>
    <category term="matsuo oono"/>
    <category term="kikaider"/>
    <category term="the drifters"/>
    <category term="rampo edogawa"/>
    <category term="the ventures"/>
    <category term="tatsuo yoshida"/>
    <category term="leiji matsumoto"/>
    <category term="getter robo"/>
    <category term="skyers 5"/>
    <category term="kouhan kawauchi"/>
    <category term="wanpaku tanteidan"/>
    <category term="phantom agents"/>
    <category term="the beatles"/>
    <category term="ultraseven"/>
    <category term="ultra q"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&lt;strong&gt;Last Update&lt;/strong&gt;: Finished on October 2nd, 2024. &lt;a href="https://not-sophie.dreamwidth.org/9305.html"&gt;The Last Song columns (you know, for episodes 14-24) will be posted here.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;On the Japanese site for Concrete Revolutio's anime, there were columns that were published exploring some of the inspirations and history of the various types of beings/Superhumans that appeared in the episodes. These were never officially translated into English, as far as I know, and as far as I know, only one or two were ever translated by fans. I've always been personally fascinated by ConRevo in a way that's difficult for me to explain, but I know the extreme level of references due to its broad inspirations is one of the things that gets me stuck on it. So here I am, finally translating these darned columns for real.&lt;br /&gt;&lt;br /&gt;The first one is not SUPER interesting, but I promise it does get more involved after that first, introductory column. Also I've noticed I'm getting less stuck in the original grammar and sentence-belonging as I go, thank god. Unfortunately that means the earlier translations are stiffer and awkwarder. Oh well. You can find the original column's text by clicking on the date for each column, because how else are people gonna tell me I translated everything wrong?
&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #1: The Giant From Space, Grosse Augen!&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;strong&gt;Superhuman Investigation Column #2: The Original Inhabitants of Earth, the Tartaros Bugmen&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___2" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid2"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___2" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #3: The Boundary Between Man and Machine, Artificial Union Megasshin&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___3" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid3"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___3" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;strong&gt;Superhuman Investigation Column #4: Kaiju, the Fantasy Creatures Made Possible by Video&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___4" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid4"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___4" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;strong&gt;Superhuman Investigation Column #5: The Space Craze Transformed Superhumans&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___5" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid5"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___5" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;strong&gt;Superhuman Investigation Column #6: The Age of Bands, the Age of Electric Guitars&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___6" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid6"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___6" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #7: Space, Electricity, People, and...&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___7" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid7"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___7" aria-live="assertive"&gt;&lt;/div&gt;
&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #8: The Close Connection Between Detectives and Superhumans&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___8" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid8"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___8" aria-live="assertive"&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;strong&gt;Superhuman Investigation Column #9: Eternally Recurring Characters&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___9" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid9"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___9" aria-live="assertive"&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;strong&gt;Superhuman Investigation Column #10: World Affairs and the Spy Boom&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___10" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid10"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___10" aria-live="assertive"&gt;&lt;/div&gt;
&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #11: Protests, Song, and the Baby Boom&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___11" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid11"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___11" aria-live="assertive"&gt;&lt;/div&gt;
&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #12: The Feeling of Continuity Between the Post-war Period and Wartime&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___12" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid12"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___12" aria-live="assertive"&gt;&lt;/div&gt;
&lt;br /&gt;&lt;strong&gt;Superhuman Investigation Column #13: Superhuman Abilities and a Change of Purpose&lt;/strong&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___13" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8811.html#cutid13"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___13" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=8811" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:8678</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/8678.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=8678"/>
    <title>Walküre - Change!!!!! Color-Coded Lyrics and Translation</title>
    <published>2019-05-08T14:58:48Z</published>
    <updated>2024-12-22T14:29:29Z</updated>
    <category term="junna"/>
    <category term="macross delta"/>
    <category term="nao touyama"/>
    <category term="yuuho iwasato"/>
    <category term="yasuno kiyono"/>
    <category term="lyrics"/>
    <category term="color-coded lyrics"/>
    <category term="nozomi nishida"/>
    <category term="rasmus faber"/>
    <category term="walküre"/>
    <category term="martin landström"/>
    <category term="minori suzuki"/>
    <category term="macross"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">&amp;nbsp;I'm sure you all finally know that Hear the Universe is the best Walk&amp;uuml;re song. But did you know that Change!!!!! is the second best? It's true. So I did the usual color-coding so you can tell who's who in case you're somehow confused AND care at the same time. But wait, there's more! It didn't seem like there were any English translations on the internet from a lazy google search, so I decided to go ahead and translate it. But it's not an easy song to translate. The lyrics are amazingly fun in ways that can't be translated to English because we simply have different words. It's also just hard in the normal ways. (ps Uluru is also known as Ayers Rock which you may be more familiar with and I have no idea what else that line could be so I guess it's gonna be that, which is actually kind of disturbing)&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8678.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=8678" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:8430</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/8430.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=8430"/>
    <title>Kanashimi to tomo ni - Megumi Nakajima (悲しみと共に/中島愛) Lyrics Translation</title>
    <published>2019-05-04T07:00:21Z</published>
    <updated>2019-05-04T07:00:21Z</updated>
    <category term="juushinki pandora"/>
    <category term="h zett m"/>
    <category term="yuuho iwasato"/>
    <category term="lyrics"/>
    <category term="megumi nakajima"/>
    <dw:music>THIS SONG BELIEVE IT OR NOT</dw:music>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Here, have some lyrics to a seemingly-untranslated-into-English song I translated in a few minutes while listening to how we're actually already beyond the point of no return as far as climate change goes. This song was used as an insert song in two (maybe three?) episodes of Juushinki Pandora/Last Hope and it's bitchin'. It helps that I already liked Megumi Nakajima a lot, but here's an awesome song in a style she hasn't exactly toyed with before... a style of song I happen to love. It's jazzy.&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8430.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=8430" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2010-12-31:683541:8187</id>
    <link rel="alternate" type="text/html" href="https://not-sophie.dreamwidth.org/8187.html"/>
    <link rel="self" type="text/xml" href="https://not-sophie.dreamwidth.org/data/atom/?itemid=8187"/>
    <title>Brain Powerd Spiral Book: Mutsumi Inomata Interview</title>
    <published>2018-11-10T10:08:48Z</published>
    <updated>2024-12-22T14:29:55Z</updated>
    <category term="babel ii"/>
    <category term="interviews"/>
    <category term="brain powerd"/>
    <category term="mutsumi inomata"/>
    <category term="books"/>
    <category term="atsushi shigeta"/>
    <category term="yoshiyuki tomino"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">That moment when you're flipping through your book that already alarmed you with its nudity all over its cover and realize that the reason the OP of this anime is full of naked anorexic women is because Inomata painted the main character nude like fifty times.&lt;br /&gt;&lt;br /&gt;I started translating the interview contained in this Spiral nudity Book of this horrible anime that I have an odd attachment to (screw you, Inomata and Yoko Kanno) with Mutsumi Inomata, the character designer. I didn't finish it because I don't finish anything and I was offended that Tomino doesn't like Inomata's art. Goodbye.&lt;br /&gt;&lt;br /&gt;EDIT: just kidding I finished it a year later have fun&lt;br /&gt;&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://not-sophie.dreamwidth.org/8187.html#cutid1"&gt;Read more...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=not_sophie&amp;ditemid=8187" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
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